{"id":10404,"date":"2018-05-01T11:00:14","date_gmt":"2018-05-01T18:00:14","guid":{"rendered":"https:\/\/Becomeimmersed.com\/?p=10404"},"modified":"2019-11-21T14:38:43","modified_gmt":"2019-11-21T22:38:43","slug":"fringe-guide-2018","status":"publish","type":"post","link":"https:\/\/becomeimmersed.com\/fringe-guide-2018\/","title":{"rendered":"Hollywood Fringe: 2018 Creators Set Immersive Expectations for Each Show"},"content":{"rendered":"

For the second year in a row, the Hollywood Fringe has designated \u201cimmersive theatre\u201d as one of the official categories of performance for their yearly festival. This year we\u2019ll be treated to a deliciously broad range of experiences from both familiar voices and first time creators stretching the definition of immersive theatre in a dozen exciting directions ranging from intensely personal and demanding one-on-one encounters to more relaxed and anonymous audience participation within a more traditional proscenium setting.<\/p>\n

To better inform the expectations<\/strong> of potential ticket buyers and demystify some of the vaguer synopses presented on the Fringe website, Immersed reached out to the creators behind all nineteen* productions that have chosen \u201cimmersive theatre\u201d as their primary classification to learn what an attending participant should expect when attending their shows when it comes to involvement, agency, intensity, and potential for physical interaction.<\/p>\n

Based on their responses we have distilled quick, straightforward answers to the questions of whether performers speak to participants, whether participants may\/must speak to performers, whether a participant’s actions\/choices can appreciably affect the experience’s outcome, what physical demands are made of the participants, and what, if any, physical contact is planned between participant and performer. In most cases, when appropriate, these answers are followed by direct quotes from the creators themselves in order to provide context and greater understanding of the way each production operates and illuminate what makes each experience unique. While every show has been billed as immersive, we have also organized the productions into three sub-categories: “Solo Experiences<\/span>,” “Group Immersions<\/span>,” and “Traditional Theatre with Audience Participation<\/span>.”<\/p>\n

Below you will of course also find links to each production’s Fringe page, all related social media profiles, and, in the case of some shows, unique features we wanted to highlight. We hope that this article will help to promote safety and awareness during this crowded Fringe season and guide you not only towards shows you’re already primed to enjoy, but introduce you to experiences you wouldn’t normally seek out. That’s what Fringe is all about! So get out there and support some independent and original works in what promises to be an exciting and inspiring Fringe, no matter what flavor of immersive you’re in the mood for!<\/p>\n

*Although they remain listed on the site, we have been informed that both Andy: the Red-Nosed Warhola<\/a>\u00a0and HE\/R<\/a>\u00a0are no longer expected to perform at this year\u2019s Fringe Festival.<\/p>\n

\u00a0<\/strong><\/p>\n

Solo Experiences<\/span><\/h2>\n

 <\/p>\n

\"\"<\/strong><\/a><\/h3>\n

Death and Coffee<\/strong><\/a> (Annie Lesser)<\/strong><\/h3>\n

Rated 7+<\/p>\n

Running time:<\/strong> 15 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cIt is a one on one between myself and another person\u2026 done in my apartment. There are opportunities for the audience member to speak, touch, and taste.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting for length of show. Performance space only accessible by stairs.<\/strong><\/p>\n

\u201cSitting on bench, chairs or floor mats depending on audience preference throughout.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light to none.<\/strong><\/p>\n

\u201cSmall, incidental contact that you would normally expect when spending time with someone. Intimacy level is dictated by the nonverbal and verbal cues of the audience member.\u201d<\/em><\/p>\n

Social media:<\/strong> Instagram<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"one<\/strong><\/p>\n

One Last Thing Before You Go<\/a> (Some Company)<\/strong><\/h3>\n

Rated 18+ for language and mature themes including emotional abuse<\/p>\n

Running time:<\/strong> 25 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudience can interact (speak); it is not scripted in a traditional sense.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudience participation (or lack thereof) dictates which ending occurs. The show\u2019s conclusion is entirely dependent on what the audience does or does not do.\u201d<\/em><\/p>\n

Physical demands on the participants?<\/span><\/h4>\n

Walking between rooms, standing.<\/strong><\/p>\n

\u201cAudience will need to listen to and follow audio instructions, and move from place to place, ether walking or by wheelchair. Audience will be seated in the first part, and on their feet in the second part\u2014although they can sit down if they so choose. The entire experience is 20-30 minutes, and audience members should expect to stand for roughly half of that (10-15 minutes)\u2014though again, they can sit if they choose, but it might be awkward.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

None.<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Snow Fridge<\/a> (dr3am logikk)<\/strong><\/h3>\n

Rated 21+ since it is performed in a bar. All actual content can be appropriate for any age, customized to the individual audience member<\/p>\n

Running time:<\/strong> 16 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cIt is a 100% interactive experience crafted specifically for one audience member at a time. The audience member will have full, improvised conversations and other nonverbal interactions with the performers.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cThe audience member will influence the outcome of their own experience.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Walking, standing, using a single flight of stairs.<\/strong><\/p>\n

\u201cThroughout the piece, the audience member will be engaging in different activities which may include sitting, standing, walking, or other types of movement \u2013 the sequence will be different for everyone and audience members will not be pressured to do anything they are not comfortable with.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201cThere is physical contact between actors and audience members. It is all intended to be gentle and comforting. However, if they prefer, audience members can request in advance to not be touched and we will honor that.\u201d<\/em><\/p>\n

Social media: Instagram<\/a>\u00a0and Facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

The Stars<\/a> (Ceaseless Fun)<\/h3>\n

Rated 18+<\/p>\n

Running time:<\/strong> 45 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing, walking between multiple locations along the streets of Hollywood.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

Social media: <\/span>Instagram<\/a>\u00a0and <\/span>Facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Group Immersions<\/span><\/h2>\n

 <\/p>\n

 <\/p>\n

\"escape<\/p>\n

Escape from Godot<\/a> (Mister and Mischief)<\/strong><\/h3>\n

Rated 16+<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudience members will be expected to speak to the performers, however they will not be required to adapt or adopt a character.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cOur show requires the audience to get out of their seats and interact with the play as it is performed, and by doing so, create a unique experience for themselves and a different performance every time.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing and walking.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201cWhile it is not necessary for the narrative, we expect casual, familiar, and non-threatening contact.\u201d<\/em><\/p>\n

Other notes:\u00a0<\/strong>\u201cI think it’s important to be clear that previous knowledge of any source or inspiration material is NOT necessary.\u00a0Theatre nerds, escape room addicts and all generally playful souls are welcome.\u201d<\/p>\n

Social media: Instagram<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/strong><\/p>\n

God: The Apologies Tour<\/a> (They Played Productions)<\/strong><\/h3>\n

Rated 13+ for mature themes and some language<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudience will choose where to initially go and where their journey takes them during the show, speaking with one, a couple, or several Creators. They will be directly asked questions and given opportunities to respond, engage, and converse. They will be highly encouraged to move around the space, be encouraged to participate and even speak, but it will not be a solid requirement.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cAs long as some audience participates, the show will go smoothly without everyone being required to chime in specifically. It is encouraged, but the show won\u2019t stop for anyone if they choose to not engage. Again though, it\u2019s highly encouraged for them to do so.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing with the option to sit, walking around the room.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201d[There will be] some hand shaking, possible gentle leading into another room by the hand, some contact to encourage some light activities. (Example \u2013 put ingredients into a bowl).\u201d<\/em><\/p>\n

Social media:<\/strong> theyplayed.com<\/a> and facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/h3>\n

Ghosts<\/a> (Dream Walker)<\/h3>\n

Rated 13+ for mature themes (claims to include nudity)<\/p>\n

Running time:<\/strong> 90 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cYou will be able to get a chance to whisper to those who are still alive from time to time and affect them.\u00a0But it will be limited due to the dramaturgical reasons. Those who are dead cannot speak.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cWhether you’re quietly listening or actively move around and whisper to another audience\/performers, you will be able to find a specific meaning at the end of the show. We are designing the show in that way so all kinds of audiences can experience something bold and deep in their own ways.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing and walking throughout the space.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/strong><\/p>\n

One Brief Moment of Joy<\/a> (Undone Horizon Productions)<\/strong><\/h3>\n

Rated 18+ for mature themes<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cThis show is highly driven by audience input and dialogue. Due to the nature of the show you will be speaking mostly in English and your participation will be nonstop. Leading up, we\u2019ll be in touch in order to customize each evening for our special guests and initiate them into the \u201cOne Brief Moment of Joy\u201d movement. our guests are asked to create their own characters within the fiction of our show prior to their experience and enact those roles if they opt to.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cWe\u2019re giving the audience agency to choose their level of engagement with the show. If they want to sit in the living room and watch people go by that\u2019s an option. If they want to jump in and dye someone\u2019s hair, that\u2019s also an option. It\u2019s really what they want to get out of it. We\u2019d really like audiences to get involved and collaborate in our playful mischief.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing, walking.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light to moderate.<\/strong><\/p>\n

\u201c[With any physical contact] consent will be asked for.\u201d<\/em><\/p>\n

Unique features<\/strong>: \u201cWe\u2019re also featuring the content of our Fringe show via Livestream on Youtube and Twitch for those not as inclined to be more reactive in this kind of environment and also to stay within the true Fringe spirit of accessibility. However, the Livestream has it\u2019s own set of puzzles that people can opt into and pay for control of the camera.\u201d<\/em><\/p>\n

Website: www.obmoj.com<\/a>
\nSocial media:<\/span> instagram<\/a>\u00a0and\u00a0twitter<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Rochester, 1996<\/a> (Capital W\/Drycraeft Los Angeles)<\/strong><\/h3>\n

Rated 16+ for adult themes<\/p>\n

Running time:<\/strong> Two hours<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudience members should expect to speak and be spoken to in order to fully participate in the piece.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing, walking (possibly between different locations), riding in a vehicle between locations.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201cThere will be light physical contact, as you might expect in a warm, close-knit community.\u201d<\/em><\/p>\n

Social media: Instagram<\/a>,\u00a0 Twitter<\/a>,\u00a0Facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/strong><\/p>\n

The Study<\/a> (MB Stage Productions Inc.)<\/strong><\/h3>\n

Rated 18+ for sexual themes, violence, blood, and other possible triggers including loud noises and smoke<\/p>\n

Running time:<\/strong> 90 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cThe audience has the ability to directly affect the outcome of each performance. Working with or against the actors on stage. Once the show begins the audience will have several opportunities to affect the fate of the show and the characters. Think of it as a large group chose your own adventure. Members can choose to interact or not but it may have an unforeseen effect on the story that night.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Mostly sitting.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201cMinimal [physical contact] at the beginning, handshakes, passing of notes, papers etc.\u201d<\/em><\/p>\n

Social media: twitter @mbstage<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Unreal City<\/a> (2Cents Theatre Group)<\/strong><\/h3>\n

Rated 16+ for sexual content and violence. Those under 18 not permitted without an adult<\/p>\n

Running time:<\/strong> 75 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cThey will have many opportunities to speak to performers, but not required.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cAudiences will have complete agency in choosing their paths. From actively choosing which character to follow, to having to \u201ccompete\u201d to determine who moves on where, each audience member will curate their own narrative through their choices.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing, walking between multiple locations. Walking up and down stairs.<\/strong><\/p>\n

\u201cWill take place over multiple interior and exterior locations around Theatre Row in Hollywood. All locations will exist near if not between Vine and Wilcox, and Lexington and Romaine. Audience will travel from one location to the next, always accompanied by actors, usually on foot. The audience will be standing for much of the experience, though certain scenes will involve sitting down. They will be mostly walking from one location to the next, and possibly climbing several stairs.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Moderate.<\/strong><\/p>\n

\u201cPossible, but only moderate (familial) physical contact. Audience comfort with physical contact will be assessed early on.\u201d<\/em><\/p>\n

Social media:<\/strong> Facebook<\/a>, Instagram<\/a>, Twitter<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

The Witnessing<\/a> (The Unmarked Door)<\/strong><\/h3>\n

Rated 18+ for fear inducing, mature themes<\/p>\n

Running time:<\/strong> 45 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cOur paranormal experts are eager to share their knowledge, and also to hear from the public about their own experiences and insights, so there is certainly going to be discourse with our guests.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Mostly sitting.<\/strong><\/p>\n

\u201cThe audience will be mostly sitting during our talk and demonstrations. Audience will not be required to perform any physical tasks, beyond passing around objects of interest.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

None.<\/strong><\/p>\n

\u201cAudience may handle and study certain artifacts from past cases, but there is no person-to-person physical contact between our experts and the guests.\u201d<\/em><\/p>\n

Social media: twitter<\/a>, instagram<\/a>, facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

What Went Wrong<\/a> (Shinbone Theatre Company)<\/strong><\/h3>\n

Rated 16+ for harsh language<\/p>\n

Running time:<\/strong> 25 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cTheir discussions, interactions, etc. are the driving force of the piece. Audience members will be directly spoken to, asked questions of, and encouraged to discuss their opinions, feelings, and philosophies with each other.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cThe story and its outcome are shaped by what they do, by how they react. Participation of the audience is absolutely essential \u2013 we will be encouraging as much interaction as possible, and the more an audience member wants to engage with the cast, the more they will get out of the piece.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing, walking around the room, ability to wear and process VR via a headset.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light to none.<\/strong><\/p>\n

\u201cAny physical contact that happens will be cursory and professional \u2013 a handshake, or assistance in putting on our VR headsets.\u201d<\/em><\/p>\n

Unique features:<\/strong> A website and call-in number dedicated to the show\u2019s in-world company Closure, Inc. are now live. Further AR elements are expected to begin for future audience members once tickets have been purchased. Also, of course, actual integrated VR during the performance!<\/p>\n

Website:<\/strong> http:\/\/www.closureinc.net\/<\/a>
\n<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

When Skies Are Gray<\/strong><\/a> (The Visceral City Project)<\/strong><\/h3>\n

Rated 18+ for mature themes including death<\/p>\n

Running time:<\/strong> 70 minutes<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cMost of the piece the audience has a \u201cfly on the wall\u201d experience but there are times where they will be spoken to directly and will be invited to speak or do something.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cIt\u2019s not essential for all of the audience to participate but is helpful if most of them do.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light.<\/strong><\/p>\n

\u201cThey may be taken by the hand or hugged by [an] actor.\u201d<\/em><\/p>\n

Unique feature:<\/strong> Bolder participants can arrive ten minutes early for the chance to be selected to play the role of a \u201cNurse\u201d during the experience, being provided with lines and blocking as you join the ensemble in telling this powerful story.<\/p>\n

Social media:<\/strong> Facebook<\/a>,\u00a0Twitter<\/a>, and Instagram<\/a>.<\/p>\n

 <\/p>\n

 <\/p>\n

Traditional Theatre with Audience Participation<\/span><\/h2>\n

 <\/p>\n

\"easy<\/p>\n

Easy Targets: Artists and Heroes<\/a> (Burglars of Hamm)<\/strong><\/h3>\n

Rated 13+ for some language<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cThese are one-person shows that the performers try to bring as much honesty as they can to the roles whilst being pelted by socks. The actors actively try to remain committed to their roles despite the audience. They only comment on the performance in rolled up sock form, although sometimes socks just aren\u2019t enough and we do get the occasional vocal outburst.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cWithout the audience, this show would be unbearable due to the preening, self-absorbed performances to which they are subjected. If we are doing things right, its quite the cathartic workout for our patrons.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting in a chair and throwing socks at performers.<\/strong><\/p>\n

\u201cEasy Targets presents 4 short solo shows and then invites the audience to show their \u201cappreciation\u201d by pummeling the performers with rolled-up socks any time they feel bored, annoyed, patronized, manipulated, etc. Each audience of Easy Targets forms a pack working to remind the performers, writers and designers that if they fail to respect the audience, they will suffer the sock.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

None, but…<\/strong><\/p>\n

\u201cThe audience is on three sides so the risk of crossfire is ever present.\u201d<\/em><\/p>\n

Unique feature<\/strong>: A new installment of the Winner of the HFF17 Best Comedy Award.<\/p>\n

Social media:<\/strong> Twitter<\/a> and Instagram<\/a>\u00a0#sufferthesock18<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Henry V and Cocktail Party<\/a> (Pretend Theatre)<\/strong><\/h3>\n

Rated 21+ for being performed in a bar.<\/p>\n

Running time:<\/strong> 2 hours<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Standing.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

None.<\/strong><\/p>\n

Unique feature:<\/strong> Free glass of beer or wine with every ticket!<\/p>\n

Website<\/b>: www.PretendTheatre.com<\/a><\/p>\n

Social media:<\/strong> Twitter<\/a>,\u00a0Instagram<\/a>, Facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"snap<\/p>\n

Snap, Honey!<\/a> (Ma’atology Productions)<\/strong><\/h3>\n

Rated 18+ for language, adult situations, and brief nudity<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201c[The audience] will have an opportunity to speak through storytelling, through audience participation exercises, call and response etc.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light to none.<\/strong><\/p>\n

\u201cWe have a gogo dance scene and a drag queen performance where the audience is encouraged to give play money to them as tips.\u201d<\/em><\/p>\n

Unique feature:<\/strong> In the lead up to opening, interested audience members have the opportunity to engage with the character Ms. Vageena during scheduled Facebook Live broadcasts where she can answer questions and offer viewers life advice.<\/p>\n

Social media:<\/strong> Facebook<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Spiritual Ecstasy<\/a> (Spiritual Ecstasy Enterprises)<\/strong><\/h3>\n

Rated 12+<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

\u201cWe will be carrying on conversations with the audience through out the 1 hour show and if they\u2019d like the opportunity to speak, they will have a chance to participate. We will be including them in everything we do.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201c[We] could come in and do the one hour show without being interactive with the audience, but based on what we do (which one must experience), it makes for a more entertaining and enjoyable evening.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting.<\/strong><\/p>\n

\u201cThere maybe some audience members who want to participate on stage if we introduce an unusual musical instrument or are facilitating an energetic healing or if we vocal tone with a Shruti Box. We won\u2019t know until the show.\u201d<\/em><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

Light to none.<\/strong><\/p>\n

\u201cThere is the possibility of participating in an impromptu energetic healing or being held with Divine LOVE. The physical contact will be familial.\u201d<\/em><\/p>\n

Unique feature:<\/strong> Performed by actual spiritualists\/healers.<\/p>\n

Website: <\/b>https:\/\/spiritualxtc.com\/<\/a><\/p>\n

Social media:<\/strong> spiritualxtc @ Facebook<\/a>, Twitter<\/a>, and Instagram<\/a><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Taming of the Shamed<\/a> (Martin Morrow)<\/strong><\/h3>\n

Rated 17+ for frank discussions of various types of abuse and trauma as well as other mature themes.<\/p>\n

Running time:<\/strong> 1 hour<\/p>\n

Performers speaking to participants?<\/span><\/h4>\n

Yes.<\/strong><\/p>\n

Participants speaking to performers?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201c’Taming of the Shamed’ breaks the fourth wall almost immediately. I am naturally a talker and a conversationalist and I ask the audience to anonymously interact with me in discussing shame. There are no expectations but there will be opportunities to talk to me and some of the other performers.\u201d<\/em><\/p>\n

Participants influencing the story\u2019s outcome?<\/span><\/h4>\n

No.<\/strong><\/p>\n

\u201cThis is not a show calling anyone out, this is not a show defending anyone\u2019s misdeeds or actions, this is not a show looking to be combative or controversial. It\u2019s a show about raw honesty, about recovery, about mental illness, and about cycles of abuse and what people do to try and break that cycle once they realize a negative pattern has been set. Some of it will be funny, some of it will be sad, some of it will be upsetting. But above anything, it\u2019ll be an honest show.\u201d<\/em><\/p>\n

Physical demands on the participant?<\/span><\/h4>\n

Sitting.<\/strong><\/p>\n

Physical contact between participant and performer?<\/span><\/h4>\n

None.<\/strong><\/p>\n

Unique feature:<\/strong> A portion of ticket sales will be donated to the Violence Intervention Program which helps with outreach, intervention and prevention of physical, emotional, and sexual abuse.<\/p>\n

Social media:<\/strong> @gentlemanjervis<\/a> and @martinMmorrow<\/a> on Instagram<\/p>\n","protected":false},"excerpt":{"rendered":"

For the second year in a row, the Hollywood Fringe has designated \u201cimmersive theatre\u201d as one of the official categories of performance for their yearly festival. This year we\u2019ll be treated to a deliciously broad range of experiences from both familiar voices and first time creators stretching the definition of immersive theatre in a dozen…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"author":14,"featured_media":10455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2920,2170,8539,9284,2519],"tags":[1056,2930,7754,2172,5342,8540,9410],"yst_prominent_words":[9914,9901,9910,9913,9906,9909,9919,9905,9902,9916,9903,9917,9904,9865,9907,9915,9908,9862,9911,9912],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/becomeimmersed.com\/wp-content\/uploads\/2018\/05\/Fringetitlecard.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbrPML-2HO","_links":{"self":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/10404"}],"collection":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/comments?post=10404"}],"version-history":[{"count":0,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/10404\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media\/10455"}],"wp:attachment":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media?parent=10404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/categories?post=10404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/tags?post=10404"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/yst_prominent_words?post=10404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}