{"id":11724,"date":"2018-07-05T12:44:24","date_gmt":"2018-07-05T19:44:24","guid":{"rendered":"https:\/\/Becomeimmersed.com\/?p=11724"},"modified":"2019-11-26T11:08:00","modified_gmt":"2019-11-26T19:08:00","slug":"fringe-2018-2cents-theatre-unreal-city","status":"publish","type":"post","link":"https:\/\/becomeimmersed.com\/fringe-2018-2cents-theatre-unreal-city\/","title":{"rendered":"Fringe 2018: Take a Poetic Walk with 2Cents Theatre Group’s Unreal City"},"content":{"rendered":"

Unreal City,<\/i><\/span><\/p>\n

Under the brown fog of a winter dawn<\/i><\/span><\/p>\n

A crowd flowed over London Bridge, so many,<\/i><\/span><\/p>\n

I had not thought death had undone so many.<\/i><\/span><\/p>\n

Sighs, short and infrequent, were exhaled,<\/i><\/span><\/p>\n

And each man fixed his eyes before his feet.<\/i><\/span><\/p>\n

-T.S. Eliot, \u201cThe Wasteland\u201d<\/i><\/span><\/p>\n

I\u2019m being led down the cracked streets of Hollywood by a brightly dressed woman with a megaphone. She\u2019s giving me a list of rules. A lot<\/i> of rules. Apparently, I\u2019m about to become a brand-new resident of Unreal City, and I need to be prepared before I take my first steps into my new home.<\/span><\/p>\n

Before I begin, though, she tells us we\u2019re entering a futuristic, apocalyptic landscape, a place bereft of trust and individuality, where feelings are forbidden and dangerous. In an effort to protect what\u2019s left of \u201ccivilized\u201d<\/span> culture, The Rose Queen has tamped down a revolution of those who, like me, don\u2019t want to walk numb through their lives.\u00a0 <\/span>But there\u2019s a new resistance bubbling underneath the darkened city, and maybe, just maybe, we can help bring it back into the light.<\/span><\/p>\n

2cents Theatre Group\u2019s Unreal City, <\/i>which premiered at this year\u2019s Hollywood Fringe Festival, takes audience members on a long and twisted journey through a sort of augmented-reality version of Los Angeles; using the familiar landscape as a backdrop for a post-modern world designed and directed by perhaps one of the finest works of poetry ever-written, T.S. Eliot\u2019s \u201cThe Wasteland.\u201d<\/span> It\u2019s ambitious, it\u2019s well-timed, it\u2019s beautiful in parts and, despite its best efforts, unavoidably flawed in others.\u00a0 <\/span>Yet it never wavers from its intention: to make the text of \u201cThe Wasteland\u201d<\/span> come physically alive.<\/span><\/p>\n

 <\/p>\n

\"unreal
The cast and creators of Unreal City<\/figcaption><\/figure>\n

There\u2019s a line in Eliot\u2019s famous \u201cThe Lovesong of J. Alfred Prufrock\u201d that ends with the line \u201cTil\u2019<\/span> human voices wake us and we drown.\u201d<\/span>\u00a0 <\/span><\/span>It\u2019s one of his most quoted lines, even making an appearance in Unreal City<\/i>, and it says something interesting about the framework of the play itself: The idea of <\/span> \u201chuman voices,\u201d<\/span> using the actual voice of an actor, in real time, to perform Eliot\u2019s words to an audience, is what really works<\/i> about Unreal City. <\/i>It\u2019s a way of adding a human element to what\u2019s historically been Eliot\u2019s words on a page; hearing \u201cThe Wasteland\u201d spoken to you allows the poems themes to resonate more fully within its audience. Furthermore, the ambition of not only tackling such difficult prose, but transitioning audience members from character to character as they each continuously quote the source material, is commendable.\u00a0<\/span><\/p>\n

And yet, despite the impressive undertaking of the show itself, the audience experience is not a perfect one. Some story tracks led to intimate encounters in alleyways and whimsically decorated tents, and some to confusing stairwells and overheated rooms; this leads to\u00a0 <\/span>a lack of consistency in the narrative we were meant to follow, as laid out in a fifteen minute info dump by our megaphone-carrying guide at the start of the play, that becomes difficult to follow at best, and completely obscured at worst.<\/span><\/p>\n

Within the aforementioned vast set of guidelines laid out was the insistence that we, as the audience, had a unique sense of autonomy; we could choose an initial guide to follow, converse with \u201ccitizens\u201d<\/span> of Unreal City as we chose, and explore as we wished.\u00a0 <\/span>To be fair, I later encountered several audience members who abandoned a track and stumbled into another but, at least in my experience, the point at which it was possible to do so was either unclear or non-existent.\u00a0 <\/span>Perhaps this is one of the downfalls of spreading the piece out over Los Angeles in this way; as you chase after one narrator it becomes nearly impossible to seek out, let alone follow another.<\/span><\/p>\n

As far as the plot is concerned, I venture to say that Unreal City<\/i> did itself a disservice by framing one in the first place.\u00a0 <\/span>The audience is led to believe that they are undertaking a mission to join in the rebellion against the Rose Queen, that we are to seek out the loyal citizens of Unreal City and join them in the fight to overthrow her reign and restore emotion to the masses. That plot, such as it were, becomes muddied and lost in the frenetic presentation of the narrative.\u00a0 <\/span>In the final moments of the play, I found myself unsure of what I was meant to do, requiring a nudge from a performer to understand what came next and despite the assistance, was still not clear as to how our actions led to the completion of the story.<\/span><\/p>\n

 <\/p>\n

\"unreal<\/p>\n

Unreal City<\/i>, despite its many flaws, is a beautiful idea.\u00a0 <\/span>It\u2019s a conceptual, artistic piece that will still appeal in many ways to poetry and theatre fans alike.\u00a0 <\/span>2Cents Theatre Group has gathered a group of dedicated actors that demonstrate great control and understanding of Eliot\u2019s work; no one appeared to merely recite lines, they dialogued with the prose. Any failure to connect that Unreal City<\/i> suffers from is due to the play attempting to be far too many things at once.\u00a0 <\/span>Eliot was a complex poet; layering his complexity within an equally complex theatrical structure that spreads across several city blocks is an attempted triumph of execution that is bound to encounter some shortcomings. To quote \u201cThe Wasteland\u201d<\/span> again:<\/span><\/p>\n

Unreal City<\/i><\/span><\/p>\n

Under the brown fog of a winter noon<\/i><\/span><\/p>\n

At the violet hour, when the eyes and back<\/i><\/span><\/p>\n

Turn upward from the desk, when the human engine waits<\/i><\/span><\/p>\n

Like a taxi throbbing waiting<\/i><\/span><\/p>\n

Unreal City<\/i> is the start of what, with the right execution, can be a new artistic future for immersive theatre. Our eyes are turned up towards the light ahead, towards productions like this one that attempt to break the \u201crules\u201d<\/span> of the medium. All that\u2019s left to do is wait for the next wave to come.<\/span><\/p>\n

 <\/p>\n

You can sign up for updates from 2Cents Theatre Group on their website<\/a>.\u00a0 You can also follow them on Facebook<\/a>, Twitter<\/a> and Instagram<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Unreal City, Under the brown fog of a winter dawn A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. -T.S. Eliot, \u201cThe Wasteland\u201d I\u2019m being led down the cracked streets of Hollywood…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"author":24,"featured_media":11728,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2170,80],"tags":[11578,3306,11576,2172,5342,3586,5404,11577],"yst_prominent_words":[11572,11575,198,3795,11569,11565,11568,11566,10364,11574,11570,11567,11571,214,11573,1472,2877,9614,9613,9615],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/becomeimmersed.com\/wp-content\/uploads\/2018\/07\/Unreal-Rehearsal.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbrPML-336","_links":{"self":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/11724"}],"collection":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/comments?post=11724"}],"version-history":[{"count":0,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/11724\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media\/11728"}],"wp:attachment":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media?parent=11724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/categories?post=11724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/tags?post=11724"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/yst_prominent_words?post=11724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}