{"id":16602,"date":"2019-04-01T08:46:47","date_gmt":"2019-04-01T15:46:47","guid":{"rendered":"https:\/\/Becomeimmersed.com\/?p=16602"},"modified":"2019-12-11T19:03:50","modified_gmt":"2019-12-12T03:03:50","slug":"meredith-treinen-re-lease-review","status":"publish","type":"post","link":"https:\/\/becomeimmersed.com\/meredith-treinen-re-lease-review\/","title":{"rendered":"Walls that Talk: Meredith Treinen Triumphs with Re-Lease"},"content":{"rendered":"

There are plays that are seen and plays that are felt. Re-Lease, <\/i>the latest devised work from Meredith Treinen, is the latter; an explosion of feeling in what was once a silent place. As I stand, circling the performance space, glancing into the well-placed mirrors that reflect so much more than the faces and bodies of the performers, the feeling spreads from the crown of my head to the arches of my feet, burning the entire way down.<\/span><\/p>\n

Treinen\u2019s collaborative work as Creative Producer (along with Derek Spencer as Artistic Director) for Ceaseless Fun<\/a> in recent months has provided a wealth of innovation that\u2019s exceedingly welcome in the immersive theatre community. They Who Saw the Deep<\/a>, <\/i>in particular, showcased Treinen\u2019s ability to blend movement and spirit together, allowing a complex work to become a living thing around its audience. Consequently, it\u2019s a distinct pleasure to see Treinen continue with her evocative solo work, previously displayed in 2017\u2019s Grief <\/i><\/a>\u2014<\/span> the creative font from which her work with Ceaseless flows becomes a deluge of intimacy when she is alone at the helm.<\/span><\/p>\n

 <\/p>\n

\"meredith
L-R: Juliet Deem, Deanna Noe, and Jessica Emmanuel in Re-Lease<\/em><\/figcaption><\/figure>\n

Re-lease<\/i> is a piece about movement, violence, memory, and space. It is a piece about the relationships men and women have to each other, to their society, and to themselves. It is powerful, it is transcendent, it is a naked exploration of the human soul. As such, the piece is as uncomfortable as much as it is beautiful \u2014<\/span> a physical manifestation of pain \u2014<\/span> the very walls of the space sigh and exhale along with my own breath as it catches in my throat. <\/span><\/p>\n

The space itself, Vocal Warehouse<\/a> in Los Angeles, is a stark, industrial building. Within it, Treinen and her team have brought life into a series of crisp, white walls that surround the performance area. The performers literally shift the space around as they work within it: walls close in on performers Juliet Deem, Jessica Emmanuel, and Deanna Noe as they reach and stretch, crying out, vocalizing tragedy. Always separated from the women by these moving walls are Matthew Maguire, Scott Monahan, and Zachary Sanders, providing a troubled\u00a0 <\/span>and contrasting presence. That the set includes actual, shifting barriers that prevent connection between the groups of performers is a stunning, silent commentary on the disparity between gender roles, deftly noting existing differences far beyond the physical.<\/span><\/p>\n

 <\/p>\n

\"immersive
L-R: Zachary Carlisle, Scott Monahan, and Matthew Maguire in Re-lease<\/em><\/figcaption><\/figure>\n

The structure of Re-lease<\/i> defies narrative; it\u2019s not telling a specific story, it\u2019s telling a story we all share as human beings. As with Grief <\/i>before it, there is a provocative, shocking honesty to Treinen\u2019s work. Her prose combined with the brutal, all-too-real revelations of her cast blend together sumptuously, rising in a literal cacophony along with the innovative sound work by Jordana Lilly and Dakota Loesch. Loesch and Lilly create a wall of sound that almost seems illogical \u2014 sheets rustling, bottles clanking, this building, ever-present thing \u2014 a symphony of human noises echoing around these six performers as they tear themselves apart to expose their own frailty. <\/span><\/p>\n

Few creators and casts can toe such a delicate, unspoken line between stage and sincerity. As such, Re-lease<\/i> is a triumph of devised experimental theatre; it\u2019s the medium at its best. Meredith Treinen\u2019s comprehension of the human experience as a narrative is truly on point. In a landscape populated by Instagram palaces and selfie stations that are broadly labelled as \u201cimmersive theatre,\u201d it\u2019s pieces like Re-lease<\/i> that remind us what defines the genre while simultaneously redefining it. It goes well beyond the sensation that the audience is a part of the performance in order to instill the work itself with a level of familiarity that deeply reflects the audience\u2019s own personal experience.<\/span><\/p>\n

Re-lease <\/i>is a sensation that lingers long after those white walls shift for the final time; an unmissable addition to the lexicon of immersive theatre, and theatre as a whole.\u00a0 <\/span>Re-lease <\/i>will linger long with me, like the haunting realization that I\u2019ve seen something both forbidden and yet deeply, unsettlingly true.<\/span><\/p>\n

 <\/p>\n

Photos courtesy\u00a0of Elena Kulikova Studio<\/a><\/em><\/p>\n

Re-lease<\/em> currently runs through April 7th, 2019. For tickets, click HERE<\/a>.\u00a0 You can also follow the production on Instagram<\/a> and Facebook<\/a>. To book your event at Vocal Warehouse, click HERE.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

There are plays that are seen and plays that are felt. Re-Lease, the latest devised work from Meredith Treinen, is the latter; an explosion of feeling in what was once a silent place. As I stand, circling the performance space, glancing into the well-placed mirrors that reflect so much more than the faces and bodies…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"author":24,"featured_media":16608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11843,80],"tags":[16149,16148,16145,16146,16147,130,5342,5704,48,3586],"yst_prominent_words":[16142,2474,246,3785,16143,6688,10093,311,3310,7454,16139,16144,4826,1472,5160,6692,16141,5335,16138,5111],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/becomeimmersed.com\/wp-content\/uploads\/2019\/03\/Release-Group-Promo-Show.jpg","jetpack_shortlink":"https:\/\/wp.me\/pbrPML-4jM","_links":{"self":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/16602"}],"collection":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/comments?post=16602"}],"version-history":[{"count":0,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/posts\/16602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media\/16608"}],"wp:attachment":[{"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/media?parent=16602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/categories?post=16602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/tags?post=16602"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/becomeimmersed.com\/wp-json\/wp\/v2\/yst_prominent_words?post=16602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}