{"id":16602,"date":"2019-04-01T08:46:47","date_gmt":"2019-04-01T15:46:47","guid":{"rendered":"https:\/\/Becomeimmersed.com\/?p=16602"},"modified":"2019-12-11T19:03:50","modified_gmt":"2019-12-12T03:03:50","slug":"meredith-treinen-re-lease-review","status":"publish","type":"post","link":"https:\/\/becomeimmersed.com\/meredith-treinen-re-lease-review\/","title":{"rendered":"Walls that Talk: Meredith Treinen Triumphs with Re-Lease"},"content":{"rendered":"
There are plays that are seen and plays that are felt. Re-Lease, <\/i>the latest devised work from Meredith Treinen, is the latter; an explosion of feeling in what was once a silent place. As I stand, circling the performance space, glancing into the well-placed mirrors that reflect so much more than the faces and bodies of the performers, the feeling spreads from the crown of my head to the arches of my feet, burning the entire way down.<\/span><\/p>\n Treinen\u2019s collaborative work as Creative Producer (along with Derek Spencer as Artistic Director) for Ceaseless Fun<\/a> in recent months has provided a wealth of innovation that\u2019s exceedingly welcome in the immersive theatre community. They Who Saw the Deep<\/a>, <\/i>in particular, showcased Treinen\u2019s ability to blend movement and spirit together, allowing a complex work to become a living thing around its audience. Consequently, it\u2019s a distinct pleasure to see Treinen continue with her evocative solo work, previously displayed in 2017\u2019s Grief <\/i><\/a>\u2014<\/span> the creative font from which her work with Ceaseless flows becomes a deluge of intimacy when she is alone at the helm.<\/span><\/p>\n <\/p>\n